The last part will cover last 4 principles which are Timing, Exaggeration, Solid drawing, Appeal. This tutorial explains next 4 principles of 12 principles of animation by Ollie Johnston and Frank Thomas. Move the suitcase out of the scene like is falling from 25f to 36f Support the mane acton (car) with secondary action by moving suitcase further. On the layer suitcase Insert Keyframe->All on 25f Then automatically will be set on the Timeline, second 1 to be the end of the animation.Ĭontinue the animation to 1,36s on both layers Create Motion Tween on both of the layers. Let’s create scene with two layers, car and suitcase. Secondary action refers to creating actions that emphasize or support the main action of the animation it can breathe more life into an animation and create a more convincing performance. Welcome to another journey into the world of animation Stick it through to the end and youll have a great base in the world of Adobe Animate Lets do this The timelapse music is by Yotam Perel. But if we use the principle of arc things start look different. Create Motion tween.Īs can you see it’s not really natural. Properties panels-> Tweening-> Ease In Out-> QuadĮverything in real-life typically moves in some type of arcing motion, and in animation you should adhere to this principle of arcs to ensure your animation is smooth and moves in a realistic way.Ĭreate planet asset. Lets apply this principle number 6 ( Slow in and slow out ) to give the objects more life. Set the end the animation to be on 2s by Insert Keyframe. This principle refers to the way pretty much all movement start slowly, builds speed and finishes slowly. Star move and transform the rectangle Frame-by-Frame In first rectangle I use the technic, in the second it’s just moving forward by Motion tween with constant speed. This Book uses twelve strategic topics to establish a learning transition from the basics of Adobe Animate CC to the complex motion designs and animations. Overlapping action describe the offset between the timing of the main shape and the subsequent form. Let’s start with number 5 which is 5 – Follow through and overlapping actionįollow through is a technique of having appendages drag behind the rest of the main shape. In this second part we will cover the next 4 principles:
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